{"meta":{},"items":[{"id":8175,"html":"\u003cdiv class='article cover'\u003e\n\u003ca class=\"article_link wrapper\" href=\"/nyheter/baumbach-gor-tv-serie-med-hopkins\"\u003e\u003cdiv class='image new_image image_loader' data-images-large-src='https://d2iltjk184xms5.cloudfront.net/uploads/photo/file/61274/large_original.jpg' data-images-medium-src='https://d2iltjk184xms5.cloudfront.net/uploads/photo/file/61274/medium_original.jpg' data-images-small-src='https://d2iltjk184xms5.cloudfront.net/uploads/photo/file/61274/small_original.jpg' data-images-thumb-src='https://d2iltjk184xms5.cloudfront.net/uploads/photo/file/61274/thumb_original.jpg'\u003e\u003c/div\u003e\n\u003cdiv class='hoverlay'\u003e\u003c/div\u003e\n\u003cdiv class='default_image'\u003e\u003c/div\u003e\n\u003cdiv class='badge movie'\u003e\nFilm\n\u003c/div\u003e\n\u003cdiv class='pusher'\u003e\n\u003cdiv class='content'\u003e\n\u003cdiv class='inside_content truncate_article'\u003e\n\u003cdiv class='subtitle'\u003e\nBaumbach gör TV-serie med Hopkins\n\u003c/div\u003e\n\u003cdiv class='lead'\u003e\nOscarsnominerade Noah Baumbach är med när Jonathan Frazens roman \u0026quot;The Corrections\u0026quot; går upp på TV och Anthony Hopkins kan få huvudrollen.\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='bottom nostats'\u003e\n\u003cdiv class='sig_time'\u003e\n\u003cspan class='writer'\u003e\nAndreas Samuelson\n\u003c/span\u003e\n\u003cspan class='time'\u003e\n\u003ctime class='timeago' datetime='2011-09-05T10:01:59+00:00'\u003e\n12:01 05 Sep 2011\n\u003c/time\u003e\n\n\u003c/span\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/a\u003e\u003cdiv class='clearfix'\u003e\u003c/div\u003e\n\u003c/div\u003e\n"},{"id":39,"html":"\u003cdiv class='article cover'\u003e\n\u003ca class=\"article_link wrapper\" href=\"/intervjuer/david-hare-pratar-the-reader\"\u003e\u003cdiv class='image new_image image_loader' data-images-large-src='//dkott3k6hnhno.cloudfront.net/assets/articles/default_interview-f9b569264b6ccb4c84cf8eccaa9397ea.jpg' data-images-medium-src='//dkott3k6hnhno.cloudfront.net/assets/articles/default_interview-f9b569264b6ccb4c84cf8eccaa9397ea.jpg' data-images-small-src='//dkott3k6hnhno.cloudfront.net/assets/articles/default_interview-f9b569264b6ccb4c84cf8eccaa9397ea.jpg'\u003e\u003c/div\u003e\n\u003cdiv class='hoverlay'\u003e\u003c/div\u003e\n\u003cdiv class='default_image'\u003e\u003c/div\u003e\n\u003cdiv class='badge movie'\u003e\nIntervju\n\u003c/div\u003e\n\u003cdiv class='pusher'\u003e\n\u003cdiv class='content'\u003e\n\u003cdiv class='inside_content truncate_article'\u003e\n\u003cdiv class='subtitle'\u003e\nDavid Hare pratar \u0026quot;The Reader\u0026quot;\n\u003c/div\u003e\n\u003cdiv class='lead'\u003e\nResan från bok till film var på pappret svår nog, men när producenterna Anthony Minghella och Sydney Pollack avled, blev den betydligt mer komplicerad. Författaren David Hare berättar här för MovieZines läsare hur han gick till väga för att överföra Bernhard Schlinks förintelserelaterade bok ”The Reader” till filmmanus och vita duken.\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='bottom nostats'\u003e\n\u003cdiv class='sig_time'\u003e\n\u003cspan class='writer'\u003e\n\u003c/span\u003e\n\u003cspan class='time'\u003e\n\u003ctime class='timeago' datetime='2009-02-21T11:40:01+00:00'\u003e\n12:40 21 Feb 2009\n\u003c/time\u003e\n\n\u003c/span\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/a\u003e\u003cdiv class='clearfix'\u003e\u003c/div\u003e\n\u003c/div\u003e\n"}]}